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SCREENING LOG 2026

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Writing on Film by Sean Burns

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THE PRESIDENT’S CAKE
ULTIMATE DOUBLE FEATURES AT THE BRATTLE
QUEEN KELLY RESTORED
EPIC: ELVIS PRESLEY IN CONCERT
DONOVAN’S REEF: LAST CALL FOR FORD AND THE DUKE
THE COMPLETE KUBRICK AT THE HFA
HOW TO MAKE A KILLING
THE LOVE THAT REMAINS
GOOD LUCK, HAVE FUN, DON’T DIE
CRIME 101
PILLION’S HARRY LIGHTON ON REDEFINING THE ROM-COM
WUTHERING HEIGHTS
DRACULA
THE MOMENT
A POET
SCREWIEST SCREWBALL: MY MAN GODFREY
I SAW A FILM TODAY, OH BOY: SGT. PEPPER’S LONELY HEARTS CLUB BAND
ICONS: POITIER
MELANIA
COMMON CLAY: MEL BROOKS’ BLAZING SADDLES
A PRIVATE LIFE
THE RETURN OF JOHN WOO’S HARD BOILED
EVERYONE’S A MARK: REDFORD AND NEWMAN IN THE STING
THE RIP
THE CHRONOLOGY OF WATER
THE TESTAMENT OF ANN LEE
28 YEARS LATER: THE BONE TEMPLE
ONE HOT TAKE: IS THIS THING ON?
BURT WITHOUT THE MUSTACHE: STARTING OVER
FATHER MOTHER SISTER BROTHER
IS THIS THING ON?
MARTY SUPREME
SONG SUNG BLUE
AVATAR: FIRE AND ASH
THE HOUSEMAID
A TRIBUTE TO ROBERT REDFORD AT THE BRATTLE
FIDELIO: THE RECEPTION AND RESURRECTION OF EYES WIDE SHUT
ELLA MCCAY
THE TEN BEST FILMS OF 2025
INDIEWIRE CRITICS SURVEY / CCA / OFCS BALLOT 2025
JIM JARMUSCH’S MYSTERY TRAIN: STRANGERS IN A STRANGE LAND
KILL BILL: THE WHOLE BLOODY AFFAIR
ONE HOT TAKE: EEPHUS
WALKING IN THE BEAUTY WAY: ROBBIE ROBERTSON’S INSOMNIA
LEFT-HANDED GIRL
HAMNET
JAY KELLY
A COOKIE FULL OF ARSENIC: SWEET SMELL OF SUCCESS
PETER HUJAR’S DAY
ONE HOT TAKE: SPLITSVILLE

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