“This year’s roster is a characteristically eclectic mix, offering something for everyone to experience in a dark room with strangers who are just friends you haven’t met yet. IFFBoston thrives on this sense of community and camaraderie. We’re awfully lucky to have an event where people can put away their electronic devices and experience art with one another.” – WBUR’s The ARTery, 04/22/2019

“But the festival’s outsized influence over the decades obviously hasn’t always been to everyone’s benefit. Sundance has helped cement the stereotype of an indie film director as a white boy genius with a beard and baseball cap. This legend is often dutifully transcribed by critics like myself, who also tend to be white dudes with beards and baseball caps.” – WBUR’s The ARTery, 02/01/2019

“Featuring nine new features packed into three days at the Brattle, the autumn event is a straight-up binge for movie buffs. But while previous installments may have provided area audiences with our first looks at Moonlight, Lady Bird and Three Billboards Outside Ebbing, Missouri, there’s more to the series than just early peeks at Oscar contenders.” – WBUR’s The ARTery, 10/16/2018

“Unspooling in the area’s most beautiful and historic independent venues, IFFBoston has a communal spirit I find restorative. It’s always my favorite week of the year. At a time when most folks like to stay in their houses and stream things, there’s no understating how great it feels to get out and share big-screen experiences with enthusiastic audiences.” – WBUR’s The ARTery, 04/24/2018

“This year’s opening night belongs to Lady Bird, the solo directorial debut of actress Greta Gerwig. It’s a sort of homecoming, as Gerwig has been an IFFBoston staple for as long as she’s been onscreen. Her debut feature LOL played here back in 2006, followed by her first lead performance in Hannah Takes the Stairs the following year.” – WBUR’s The ARTery, 10/20/2017

“We gotta mix it up. We leaned heavily on the classics last year, and I think next year we probably will return to a little bit more of that. If we get a lot of people for Top Gun or Wonder Woman and ten of them come back to see Cleopatra then my job is done. I’ve continued to keep these important movies in the consciousness.” – WBUR’s The ARTery, 09/20/2017

“What makes Davyeon feel so different is that writer-director Amman Abbasi transplants hood movie tropes to the Deep South, infusing the bucolic settings with some of the same junkyard lyricism we saw in executive producer David Gordon Green’s George Washington. The movie doesn’t end where you want it to, but it ends when it should.” – Boston Reel, 05/04/2017