SOLO: A STAR WARS STORY

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“A breezy summer entertainment that benefits from high spirits and low expectations, Solo works best when it’s not bending over backwards trying to tie itself in with other Star Wars stories. For the most part this is a rousing space Western with a cast of lovable rogues, occasionally interrupted by spasms of shoe-horned references to the previous pictures.” – WBUR’s The ARTery, 05/23/2018

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BAD LIEUTENANT AT THE MFA

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“Abel Ferrara’s 1992 masterpiece is a howl of anguish from the gutter. It’s a movie of wall-to-wall depravity and profound spiritual longing, at once one of the dirtiest and most deeply religious pictures I’ve ever seen. It’s probably blasphemous but also agonizingly sincere, the work of genuinely tortured artists trying to make sense of a fallen world.” – WBUR’s The ARTery, 05/03/2018

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AVENGERS: INFINITY WAR

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AVENGERS: INFINITY WAR  * 1 / 2

Starring Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans and Josh Brolin. Screenplay by Christopher Markus and Stephen McFeely. Directed by Joe and Anthony Russo.

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SKATING ON THAT BRESSONIAN ICE: PAUL SCHRADER AT IFFBOSTON

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Last night living legend Paul Schrader brought his stunning First Reformed to the Independent Film Festival Boston. Starring Ethan Hawke as a pastor struggling with his faith, the movie feels like a culmination of the obsessions with which this filmmaker has been wrestling onscreen for more than four decades. Some edited highlights from his Q&A moderated by critic Jason Gorber:

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IFFBOSTON 2018

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“Unspooling in the area’s most beautiful and historic independent venues, IFFBoston has a communal spirit I find restorative. It’s always my favorite week of the year. At a time when most folks like to stay in their houses and stream things, there’s no understating how great it feels to get out and share big-screen experiences with enthusiastic audiences.” – WBUR’s The ARTery, 04/24/2018

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GRACE JONES: BLOODLIGHT AND BAMI

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“It’s a prismatic portrait, albeit an occasionally confusing one. Some of the footage feels revelatory and some of it just seems random. What works as connective tissue are the stunning musical performances to which the film returns at regular intervals, with Jones strutting her stuff in staging originally designed by the late Eiko Ishioka.” – WBUR’s The ARTery, 04/19/2018

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FORGOTTEN FLOWERS: SOFIA COPPOLA AT THE HARVARD FILM ARCHIVE

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Just shy of a year after winning Best Director at the Cannes Film Festival for her brilliant remake of Don Siegel’s The Beguiled, Sofia Coppola dropped by the Harvard Film Archive for a special screening and a wide-ranging Q&A with HFA curator Haden Guest. Some edited highlights of the conversation:

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