THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Three Billboards is the most consistently surprising film I’ve seen this year not because of its plot twists, but because these characters are constantly revealing unexpected sides of themselves. It’s a movie full of furious folks acting out with moral certainty and righteous indignation, all of them only slowly learning just how little they know.” – WBUR’s The ARTery, 11/17/2017

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LAST FLAG FLYING

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“These are productive conversations that feel depressingly necessary at a cultural moment when patriotism is once again being conflated with blind obeisance. The characters in Last Flag Flying love this country enough to question what they fought and bled for, demanding that we in the audience honor their sacrifice by doing the same.” – WBUR’s The ARTery, 11/17/2017

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SPOILERPIECE THEATRE #175: JUSTICE LEAGUE, LAST FLAG FLYING AND THE BOSTON JEWISH FILM FESTIVAL

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Continuing in my role as the Billy Preston of the Spoilerpiece gang, I sat in with friends Dave Riedel and Evan Crean and tried to guess what happens in Justice League without having seen it yet. Dave and I reccomended Last Flag Flying while Evan shared highlights from the 29th annual Boston Jewish Film Festival. We also talked about Near Beer. – Spoilerpiece Theatre, 11/17/2017

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I LOVE YOU, DADDY

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“What’s shocking is just how lame and unfunny the movie is, a near-total misfire that keeps tripping over thinly veiled resentments. While it doesn’t exactly read as a full-on confession, the icky experience of watching I Love You, Daddy does feel a bit like one of those procedurals where the serial killer is deliberately leaving clues for the cops, trying to get caught.” – WBUR’s The ARTery, 11/14/2017

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LADY BIRD

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“One of the most important parts of growing up is realizing what a pain in the ass you were as a kid. The prickly protagonist of Lady Bird doesn’t quite get there until the film’s final moments, but Greta Gerwig’s screamingly funny semi-autobiography looks back with clear-eyed compassion and great warmth. As soon as it was over, I wanted to watch it again.” – WBUR’s The ARTery, 11/09/2017

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FROM COBAIN TO GOODALL: BRETT MORGEN FINDS THE LIGHT WITH JANE

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“I’m seeing a shot of Jane sort of being composed looking out somewhere. And then at end of the shot, before it flares out, I see her look over to the camera and start smiling. I instantly recognize what’s happening, in that she’s breaking down that fourth wall and we’re going to be able to tell this love story in a rather unique manner.” – WBUR’s The ARTery, 11/03/2017

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THE SQUARE

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“An oddball two-and-a-half hour provocation, the film begins ostensibly as a satire of Sweden’s modern art scene before expanding outward to reveal larger, wobblier aims. Östlund’s Force Majeure gleefully dismantled its protagonist’s unearned machismo, and The Square similarly takes a wrecking ball to our hero’s blithe delusions of noblesse oblige.” – WBUR’s The ARTery, 11/02/2017

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