“Glum and lumbering. There’s no energy to the picture. It’s abysmally directed, relying on clumsy handheld camerawork that’s presumably intended to goose along the action but mostly just obscures it. Cinematographer Nick Matthews seems especially averse to lighting people’s faces. When Travolta and Dorff finally square off in a barn, we can barely see them.” – North Shore Movies, 08/04/2023