DUNKIRK

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“Nolan intercuts three separate stories that take place over a week, a day and an hour — on land, sea and air, respectively — so that we’re watching them all simultaneously, giving the sensation of a constant battle. Relentlessly barreling between dive bombings, torpedo attacks and dogfights, the movie works your nerves. It’s just one damn thing after another.” – WBUR’s The ARTery, 07/21/2017

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VALERIAN AND THE CITY OF A THOUSAND PLANETS

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“So visually bonkers it’s almost impossible to absorb all at once. Anyone who’s seen The Fifth Element already knows Besson’s ga-ga sensibility is unencumbered by taste. There’s a rip-roaring recklessness to Valerian’s tangents, like the scene in which Laureline needs to locate her missing partner by sticking her head inside the ass of a psychic jellyfish.” – North Shore Movies, 07/21/2017

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COOLIDGE AT THE GREENWAY

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“‘It’s a good 20 hours of work,’ Lazzaro says. ‘Setting up the rigging, power, positioning the truck and building a projector booth from scratch. Then tearing it all down. It all has to be safe and low impact to the grounds.’ So why go to all this trouble when easier, albeit inferior digital cinema options are available? ‘We do the Lord’s work. That’s why.'” – WBUR’s The ARTery, 07/18/2017

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A GHOST STORY

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“A tale told through images and edits instead of words, this is something far dreamier and more adventurous than you might be used to seeing at the movies. As years rush by the ambitions of A Ghost Story grow increasingly more cosmic and grand. This little low-budget film begins to contain multitudes.” – WBUR’s The ARTery, 07/14/2017

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TWIN PEAKS HALFTIME REPORT

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“We’re now halfway through director David Lynch’s maddening, magnificent magnum opus, a work of such sweeping breadth and bonkers daring that mere hyperbole feels meager and insufficient. This is the most thrilling, confounding program to be seen on television since… well, since the original Twin Peaks first premiered on ABC back in 1990.” – WBUR’s The ARTery, 07/12/2016

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THE BEGUILED

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The Beguiled turns out to be a classic Coppola bubble, with the wealthy young ladies of the Farnsworth School throwing themselves into fancy French lessons, formal dinners and arcane matters of antebellum decorum while a war that’s already destroyed their entire way of life rages right outside the door of this obsolete feminine fortress.” – WBUR’s The ARTery, 07/10/2017

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