“If you find your way onto Bresson’s frequency, his films can feel like they’ve transcended cinema’s inherent artifice and found a purer, more exaltedly spiritual mode of storytelling. There’s a reason Paul Schrader has made an entire career out of remaking Pickpocket and Diary Of A Country Priest. There’s also a reason Bresson’s most beloved movie stars a donkey.” – Crooked Marquee, 10/13/2023