”The film’s boldest and most effective stylistic gamble is that Glazer never goes inside the gates of Auschwitz. Screams and bursts of gunfire echo faintly in the distance, almost but not quite out of earshot. We can barely hear dogs barking and commands being shrieked, all while the Höss family goes about their dull, daily routines.” – WBUR’s Arts & Culture, 01/11/2024