”As with every Allen film since Café Society, the real star is cinematographer Storaro, pushing digital color into eye-popping new contortions. Sometimes I forgot to read the subtitles because I was so captivated by the delicate play of sunlight in de Laâge’s hair. I didn’t miss much, since we’ve all seen this movie before. How do you say ‘déjà vu’ in French?” – North Shore Movies, 04/04/2024