”This was De Palma’s Godard era, shortly before he pledged allegiance to Alfred Hitchcock. But despite the blackout sketch structure and improv comedy hijinks, Hi Mom! is unmistakably a Brian De Palma picture: endlessly self-reflexive, obsessed with ways of watching and being watched, always implicating the audience in the action with a wicked cackle.” – Crooked Marquee, 10/11/2024