“It may sound strange to describe a Wes Anderson film as the summer’s most delightful action-comedy. Missing the usual Anderson undercurrents of grief and melancholy, it’s more gag-based than anything he’s done in ages, with an early bit involving a plane’s ejector seat so exquisitely timed it caused me to make a spectacle of myself at the press screening.” – WBUR’s Arts & Culture, 06/05/2025