“Turning navel gazing into performance art, Gray obsessively recounted the minutiae of his life as a way of imposing order on an existence he found overwhelmingly chaotic. Telling stories is how we explain our lives to ourselves, but Swimming To Cambodia is about what happens when a seasoned storyteller comes up against the unexplainable.” – WBUR’s Arts & Culture, 08/12/2025
“A lot of confident technique adding up to very little, Cregger’s follow-up to his fiendishly entertaining Barbarian plays with the same sort of hairpin plot curves and abrupt, left-field perspective shifts. But Weapons is a gloomier and more muddled affair. If this guy ever decides to make a movie that’s about something, he’s gonna knock it out of the park.” – North Shore Movies, 08/08/2025
“Ebulliently silly, awash in bright colors and sunny Los Angeles locations. Gen Z’s eye-rolling disdain for their embarrassing elders provides the comic motor of this often very funny film, and having grown accustomed to being on the receiving end of such withering glares, I think I might have enjoyed the movie even more than my niece did.” – WBUR’s Arts & Culture, 08/07/2025
“This was an important afternoon for me, as a kid obsessed with the latest Star Wars and Spielberg pictures realized that old black-and-white movies could also be a blast. I had so much fun watching The Lady Vanishes that I put off seeing it again for another 40 years or so, fearing that the film couldn’t possibly live up to the thrill of that first discovery.” – Crooked Marquee, 07/25/2025
“Sandler doesn’t star in these movies anymore so much as he hosts them, graciously ceding the stage to his guests and trying to make sure everyone has a good time. Nearly half-an-hour longer than the original, Happy Gilmore 2 is an amiable, undisciplined shambles so good-natured it’s hard not to enjoy even when the jokes fall flat. Geniality goes a long way.” – North Shore Movies, 07/25/2025
“The screenplay for Oh, Hi! requires Iris and her kooky friends to do so many stupid, bizarre and illogical things, I started wondering exactly how old they were supposed to be. There’s a line between watching young people who are still figuring stuff out and characters who make you question how they are able to feed and bathe themselves.” – WBUR’s Arts & Culture, 07/24/2025
“Copping some neat mid-century modern looks from Mad Men, but with contemporary hairstyles and idioms so as not to alienate youngsters, it’s the MCU’s usual M.O. of staying grounded in a deliberately drab, everyday reality. These muted Pop Art colors don’t even pop, because the last thing you’d want from a Fantastic Four movie is for things to get too fantastical.” – North Shore Movies, 07/22/2025
“More of a mood than a movie, conjuring the weirdly sluggish banality of life during an emergency – the way the whole world seems to be hurrying up to wait – as well as the odd resignation with which we humans are adapting to our ongoing climate catastrophe. It has a kind of hazy, languorous vibe that’s keyed into the Florida humidity and hot rain.” – North Shore Movies, 07/18/2025
“Eddington has something to offend (or annoy) just about everybody. The movie skewers sacred cows and picks low-hanging fruit, offering bluntly amusing sights like a young white girl lecturing a Black cop about systemic oppression, or Phoenix with a campaign sign that reads: ‘Your being manipulated.’ Aster is trying to cram in all the absurdity of our recent history.” – WBUR’s Arts & Culture, 07/17/2025
“Other directors tell stories. Robert Altman explored ecosystems. No filmmaker more playfully examined the hierarchies in which we humans like to arrange ourselves, every movie a bustling community that seemed more discovered than staged. Altman’s improv-heavy, overlapping dialogue and roving camera made his films feel caught on the fly.” – WBUR’s Arts & Culture, 07/14/2025
SPLICED PERSONALITY 