Had a grand old time sitting in with pals Kris Jenson and Evan Crean to talk about Rosemary’s Baby, The Stepford Wives and John Carpenter’s original 1978 Halloween before discussing my recent journey through some of its shoddy sequels and how much we all improbably enjoyed director David Gordon Green’s nifty new installment. – Spoilerpiece Theatre, 10/19/2018
“A raucous roller-coaster ride full of bravura set-pieces and applause breaks. It’s a wild Friday night at the movies, celebrating hoary old slasher tropes with a degree of artistry seldom seen in the genre. Green stages the scare sequences with the verve of a movie-mad kid who can’t believe he gets to play with Michael Myers and Laurie Strode. It’s infectious.” – WBUR’s The ARTery, 10/19/2018
“A gentle caper comedy full of wistful, wrinkly smiles and a sweetly elegiac tone. Putting these two at odds is an inspired pairing, with Affleck’s rumpled deadpan and miserable mustache consistently outshone by Redford’s mega-watt charisma. The younger actor seems to have prematurely Matthau-ed, displaying withered grimaces that are comedy gold.” – North Shore Movies, 10/18/2018
“Audiard’s oddball cutting patterns mean scenes and entrire storylines tend to self-destruct in eruptions of left-field violence, the film constantly interrupting itself on the way to wherever you might think it’s going. That is, until a gorgeously unexpected ending, which sneaks up on you with a warmth one never imagined from a bloody picture like this.” – North Shore Movies, 10/18/2018
“Featuring nine new features packed into three days at the Brattle, the autumn event is a straight-up binge for movie buffs. But while previous installments may have provided area audiences with our first looks at Moonlight, Lady Bird and Three Billboards Outside Ebbing, Missouri, there’s more to the series than just early peeks at Oscar contenders.” – WBUR’s The ARTery, 10/16/2018
Honored to join host Blake Howard on his epic discussion of Michael Mann’s magnum opus, one minute at a time. We talk about the electricity of opening night, the strangeness of two New York guys starring in a Los Angeles crime saga and the peculiarities of Pacino’s performance, including his poor phone manners and some of the all-time great gum acting. – One Heat Minute, 10/16/2018
“Chazelle diminishes one of humanity’s most astonishing accomplishments into the semi-suicidal refuge of a broken man who refuses to grieve. This dour, unpleasant film wallows in a masochistic self-abnegation similar to the director’s 2014 music school psychodrama Whiplash, except banging on astrophysics instead of drums.” – WBUR’s The ARTery, 10/12/2018
“Particularly now, when the world is too much with us, it can be enormously cathartic to just go into a dark room and sob for a little while. Cooper’s confidently melodramatic remake of A Star Is Born understands this better than most pictures. It’s a big, brashly old-fashioned pop entertainment. This is the kind of movie everybody says they don’t make anymore.” – WBUR’s The ARTery, 10/04/2018
“A blisteringly comic critique of hysterical misogyny that plays like a slightly stoned version of The Crucible out in the wild. Rungano Nyoni’s swaggeringly assured debut walks the line between inspired lunacy and abject devastation. I Am Not A Witch is a blast of absurdist outrage that’s seriously funny until all of the sudden it’s not anymore.” – WBUR’s The ARTery, 09/28/2018
“The novel’s themes are bluntly articulated, yet also too abstractly rendered to play out in a satisfying cinematic context. Stripped of Fitzgerald’s prose, the events as depicted don’t pack much dramatic punch. This is no slight on the source material, just a reminder that not every novel needs to be a movie. In fact, most of them probably shouldn’t.” – North Shore Movies, 09/27/2018
SPLICED PERSONALITY 