“The Crow was one of the first American movies to incorporate the balletic, martial arts-inspired gunplay that was all the rage in Hong Kong cinema. This intricately choreographed, trigger-happy style has recently been revived in the John Wick films — whose director, Chad Stahelski, just so happened to work as Brandon Lee’s stunt double on The Crow.” – Metro, 02/17/2017

“Seeing Casablanca with a big crowd is a reminder of just how *funny* the movie is, stuffed with sardonic one-liners and some of the best put-downs in cinema history. Sure, Ingrid Bergman is stunning, but we’ve always thought Bogie has even better chemistry with Claude Rains’ cheerfully corrupt prefect of police. Theirs is indeed a beautiful friendship.” – Metro, 02/10/2017

“Postcards makes room for scene-stealing supporting turns by a randy Dennis Quaid and Gene Hackman as the voice of Fisher’s hard-won wisdom. Hackman’s stirring, late-movie monologue sums up a career in Tinseltown’s trenches and gutters. It’s the moment when this sometimes-too-slick commercial entertainment gets refreshingly real.” – The Village Voice, 02/07/2017

“Ferrara’s movies have a way of being morally serious despite their sometimes silly genre trappings, and Ms. 45 provides a feast for feminist studies. The intensely Catholic filmmaker outfits her in a nun’s habit and garter belts for the final massacre, and it’s no coincidence that she’s betrayed by a female friend holding a phallic-looking knife at crotch level.” – Metro, 02/03/2017