THE GORGE

”The problem with The Gorge is, well, the gorge. While the unexpectedly delightful first hour is given over to the pleasures of watching attractive, charismatic people fall for each other – something we see entirely too little of at the movies these days – it devolves into an uninspired, splattery shoot ‘em up full of dodgy CGI and hackneyed leaps of forehead-smacking illogic.” – North Shore Movies, 02/14/2025

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CAPTAIN AMERICA: BRAVE NEW WORLD

”While it was admittedly idiotic of me to go looking for ideas in a $180 million Disney movie, for that price one should expect at least a modicum of craft. And on that level Brave New World is a catastrophe. This is an appalling-looking film, shot in TV standard medium closeups with a smear of fake film grain spackled over the image like an ugly Instagram filter.” – North Shore Movies, 02/14/2025

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ARMAND


“You’ve got to have a lot of confidence to come up with a scene like that. But then it’s not surprising that Tøndel has got such swagger, given that he’s the grandson of Ingmar Bergman and Liv Ullmann. Armand is awesomely audacious and drunk on its own technique, though sometimes you might wish there was a bit more to the movie than audacity alone.” – WBUR’s Arts & Culture, 02/13/2025

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REMEMBERING DAVID LYNCH

”Look, I’m not saying that every middle school kid should be allowed to see Blue Velvet, but watching it at that age blew open a lot of doors in my mind about what art was and what movies could do. Lynch taught us how to see films and television as more than mere plot delivery devices and embrace the many moods and mysteries they’re capable of conjuring.” – WBUR’s Arts & Culture, 02/07/2025

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BECOMING LED ZEPPELIN

“There are worse ways to spend two hours than listening to Led Zeppelin songs being blasted through an IMAX sound system, where the rhythm section’s bottom-heavy bombast rattles the walls. It’s also hard not to feel some affection for these kindly grandpas sitting around the library, wistfully reminiscing about when they used to wield the hammer of the gods.” – North Shore Movies, 02/07/2025

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NO OTHER LAND

”The film depicts the dehumanizing process by which people are forced to watch helplessly as their homes and schools are bulldozed. It asks that we watch, too. I get why No Other Land might sound like a tough sell. But the thing about excellent films is that they deserve to be seen, even if the filmmakers have to bring them around from theater to theater themselves.” – WBUR’s Arts & Culture, 02/06/2025

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ONE HOT TAKE: ON STEVEN SODERBERGH’S PRESENCE

Joined my buddy Blake Howard on his weekly film review podcast for Patreon subscribers. We talked briefly about Steven Soderbergh’s latest, disagreeing on the merits of the ghost POV while applauding the fine performance by Chris Sullivan and Soderbergh’s superhuman stamina behind the camera. Also, Blake seems to really have a thing about realtors.One Heat Minute, 02/06/2025

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SUNDANCE 2025 PART TWO: ATROPIA, ZODIAC KILLER PROJECT, SUNFISH (& OTHER STORIES FROM GREEN LAKE)


My second dispatch from the 2025 Sundance Film Festival includes capsule reviews of Hailey Gates’ Atropia, Charlie Shackleton’s Zodiac Killer Project and Sierra Falconer’s Sunfish (& Other Stories From Green Lake).

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THE POISONOUS ENTROPY OF MIKE LEIGH’S MEANTIME

”The film follows an unemployed family struggling in London’s East End council estates, bluntly confronting the grinding boredom of life on the dole and the seething resentments it breeds. Nearly everything in the film is curdled and ugly, even the humor aggressive and sour. It’s one of the most vivid depictions of how people without purpose turn on each other.” – Crooked Marquee, 01/31/2025

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