“Revolutionaries become paper-pushers in an office somewhere, old friends lose touch. It is a film about fading out, about how youthful passions dissolve. The day-to-day business of living so often saps us of our resolve, and even the most ardent convictions wither away over time.” – The Improper Bostonian, 05/08/2013

“It’s terribly difficult to spend an entire movie with Shannon’s Kuklinski. Gruff, emotionally constipated and remote, he’s an alienating presence and Vroman’s film aspires to no insight besides the fact that he killed lots of people. The chintzy musical score and dingy cinematography give The Iceman a cheap, direct to video feel. It’s a low-rent movie with an expensive cast.” – Metro, 05/03/2013

“Here is a movie so relentlessly toxic some early champions are assuming it must be satirical. That’s a big assumption. Bay is still a hateful, misogynist cretin, content with slapdash slapstick jokes at the expense of the infirm, foreigners, fat people and gays. All the slo-mo hero worship of our floundering kidnappers clangs against their grisly incompetence.” – Metro, 04/26/2013

“Pitched somewhere near the somber worst-case scenarios of a driver’s education training film, it’s Reefer Madness with smartphones. For most sane, well-adjusted folks, using the Internet is just a fact of life, not a cause for garment-rending hysteria. Millions of people communicate online every day; it’s really not the end of the world, dude.” – The Improper Bostonian, 04/10/2013

“Gosling once again proves he’s the most captivatingly mannered actor around, half-smirking his way through a baby-faced Steve McQueen riff and toying with props as if they’re strange, foreign objects he just discovered. Derek Cianfrance could probably be a great filmmaker, if he wasn’t trying so hard to be a Great Filmmaker.” – The Improper Bostonian, 03/27/2013

“No isn’t a picture about believing in a leader or a platform. It’s about believing in a brand. As with Lincoln, this is a movie about pragmatism, where the ends justify the means, and sometimes you have to sacrifice your ideals and fudge the rules a bit for the greater good — especially because the people casting votes are generally stupid.” – The Improper Bostonian, 03/13/2013

“Long gone is our hero’s then-unprecedented vulnerability. Willis now has more superpowers than all of The Avengers put together. He’s an arrogant, swaggering bulletproof tool barging into situations with guns blazing, never breaking a sweat. When did John McClane become such a dick?” – The Improper Bostonian, 02/27/2013

“It’s easy to read Levine’s adaptation as a devastatingly funny send-up of the Twilight phenomenon. I was at a Barnes & Noble recently and saw an entire section devoted to ‘teen paranormal romance.’ Warm Bodies is at its funniest when the film is digging into the messy details of just how such romances might work.” – The Improper Bostonian, 01/30/2013

“The filmmaking is always so fussy and exacting, determinedly marching through the director’s chosen thesis statement with no deviations or surprises. Once you know where Amour is going, there’s nothing left but to run out the clock, which I believe might be the point, but it doesn’t make it any easier to watch.” – The Improper Bostonian, 01/16/2013

“If there’s a more poorly directed film this year, I haven’t seen it. Hooper keeps the camera locked into a fisheye view of everybody’s nostrils just to prove they’re really singing, goddamnit. But maybe he should have realized that uncut tracks of Russell Crowe hoarsely flubbing notes are ‘authentic’ in the worst way possible. This is an aesthetic crime.” – The Improper Bostonian, 01/02/2013