THE 4:30 MOVIE

“The gulf between intention and ability has seldom been wider than in Kevin Smith’s attempt to fashion his own Fabelmans-esque origin story. You’d reckon it would be impossible for someone to do something 15 times without learning anything, but it beggars belief how much worse Smith has gotten at the basics of camera blocking and shot composition.” – North Shore Movies, 09/13/2024

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BEETLEJUICE BEETLEJUICE

”There’s a handcrafted quality to the images and effects. Even the stuff that’s CGI is designed to look practical, with smooth computer animation given janky little quivers to seem more like traditional stop-motion. The movie feels like a person made it, which is a rare thing to say about a blockbuster sequel these days. It’s also light on its feet, which is even rarer.” – WBUR’s Arts & Culture, 09/05/2024

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REAGAN

“A children’s film for the adult diaper set, Reagan is an almost pitiably incompetent movie with production values that look like it should be playing on basic cable between catheter ads and commercials for Gold Bond medicated powder. It’s a defensive safe space for Fox News viewers to get their rocks off remembering a romanticized past that never was.” – North Shore Movies, 08/30/2024

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THE CROW

”One of those enervating exercises in IP regurgitation that only exists because somebody owned the rights and felt like getting paid. I suppose it’s unfair for any actor to get stuck following Brandon Lee in this role, but Skarsgård looks especially silly in his Jared Leto Juggalo Joker tattoos. Maybe not every fondly remembered film needs to be a franchise?” – North Shore Movies, 08/23/2024

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BLINK TWICE

“What follows is an extremely tedious mashup of Get Out with Jeffrey Epstein conspiracy theories and the ‘fuck the patriarchy’ keychain politics of Promising Young Woman. It’s such an off-putting stew of ill-considered gimmicks and attitudes that could charitably be described as unexamined, you can’t help but leave thinking less of the people who made the picture.” – North Shore Movies, 08/23/2024

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BETWEEN THE TEMPLES

”The most anxious comedy you’ll see this year, director Nathan Silver’s Between The Temples is a love story in the midst of a nervous breakdown. Except it feels like the movie itself is having the breakdown. Silver is an expert at the everyone-talking-over-each-other school of cinema, whipping the scenes into swirling frenzies of semi-controlled chaos.” – WBUR’s Arts & Culture, 08/22/2024

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CALIGULA: THE ULTIMATE CUT

”Negovan has toned down the old ultraviolence and gotten rid of Guccione’s precious pornography, making this a classier Caligula for a more refined audience, which somehow makes the movie even worse. Shorn of all the grody fucking that casued such a scandal, it’s now merely a tedious historical pageant with fine actors wandering around looking lost.” – North Shore Movies, 08/19/2024

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LAST SUMMER


Last Summer is a remake of writer-director May el-Toukhy’s 2019 film Queen Of Hearts. Breillat’s version of the story is far less melodramatic and (surprisingly) less sexually explicit, yet somehow feels more dangerous, throwing itself into the transgressive tale with a wry reserve and an abundance of mordant wit. Good lord, is this movie funny.” – North Shore Movies, 08/16/2024

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GOOD ONE

”There’s a common misconception that the big screen is for spectacle pictures, and intimate dramas like Donaldson’s debut can be watched at home without missing much. But I’d argue that small movies such as this one benefit even more from the focus and attention one can give when the only light in the room is coming from the story you’re watching.” – WBUR’s Arts & Culture, 08/15/2024

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ALIEN: ROMULUS

“Alvarez finds semi-clever variations on iconic action scenes from the earlier films, and when Spaeny strips down to her skivvies for the final confrontation with the xenomorph, I suppose we should be proud that since it’s 2024 she’s wearing boxers instead of Weaver’s bikini-cut panties. But the movie never feels like more than the work of a halfway decent cover band.” – North Shore Movies, 08/14/2024

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