“A mashup of four disconnected shorts, this picture feels as though Allen was rifling through his desk drawer and came across some unfinished New Yorker pieces, then fashioned them after Italian omnibus films from the 1960s. Midnight in Paris was profound in a deceptively breezy way. To Rome With Love is just plain breezy, but I didn’t mind.” – The Improper Bostonian, 07/04/2012