“Stubbornly unlike anything you’ll find in arthouses today, this severe and intensely challenging picture owes more to Ingmar Bergman’s haunted spiritual crises or Robert Bresson’s austere allegories than any contemporary models. The fact that it exists at all is astonishing, the fact that it’s a big-budget release from a major studio is a miracle.” – WBUR’s The ARTery, 01/04/2017

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