“Boots Riley’s debut feature is an air-horn blast of anti-capitalist subversion with a surreal, midnight-movie twist. It’s like if Get Out got all mixed up with Repo Man, Robert Downey Sr. and scabrous early Brian De Palma satires like Greetings and Hi, Mom! The movie misses almost as often as it hits, but when the big swings land they leave a mark.” – North Shore Movies, 07/19/2018