“Rourke gives his funniest, most endearing performance as a raggedly princely drunkard wooing Dunaway’s washed-up, boozy grande dame. Müller’s cinematography imparts a grungy beauty to this Skid Row lit by sputtering neon and half-burnt-out strings of Christmas lights. I daresay there’s never been anyone better at photographing peeling paint.” – WBUR’s The ARTery, 09/04/2018