“The camera is as unmoored as the character. There are no establishing shots in the picture, which simply drops us into scenes sometimes halfway through and trusts the audience will suss things out. The sound design is cluttered with loud clatters and hushed, rhythmic breathing exercises. We’re inside Madeline’s mind the whole time, and it’s busy in there.” – WBUR’s The ARTery, 09/14/2018

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