“The Mule ambles along in the unhurried fashion of Clint’s easygoing Americana road pictures like Honkytonk Man or A Perfect World. Always a more thoughtful filmmaker than his often boneheaded public statements would lead you to believe, Eastwood fashions the picture into a sneaky examination of white privilege. There’s a lot going on under the hood here.” – WBUR’s The ARTery, 12/25/2018