“As in her 2018 triumph Madeline’s Madeline, Decker takes a destabilizing approach to scenes, eschewing establishing shots and shoving the camera too close to the characters at odd, disjunctive angles. Shirley is only her fourth feature but Decker’s already developed an instantly recognizable visual style that feels like it’s made entirely of elbows.” – North Shore Movies, 06/05/2020

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