“For such a square story it feels wonderfully subversive, as Ashe has moved the entire aesthetic of the Technicolor melodrama uptown. These perfectly painted sets and impeccably pressed clothes aren’t attempting to replicate reality, but rather a dream life in the movies from which people who look like the cast of Sylvie’s Love have always been excluded. Until now.” – WBUR’s The ARTery, 12/17/2020

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