“Larraín’s entrancingly artsy Jackie turned the White House into the Overlook Hotel, with Natalie Portman’s blood-spattered widow wandering the historic halls like a ghost in a pillbox hat. The best segments of Lisey’s Story have a similarly shell-shocked effect, collapsing past and present with scenes from their marriage bleeding into the echoey, empty now.” – WBUR’s The ARTery, 06/03/2021