“The half-kidding nature of Carrie’s opening is emblematic of De Palma’s overripe, sensuous sensibility, a naughty boy’s luscious leering with just enough self-awareness to have his cake and eat it, too. He’s smart about being sleazy, always up for using gratuitous nudity as commentary on female objectification, while at the same time reveling in tawdry delights.” – Crooked Marquee, 04/22/2022