”Palaud exhibits no interest whatsoever in her subject’s accomplishments, skipping immediately ahead to the drudgery of her heroin addiction. The indictments of boorish behavior by men in the film industry are indeed apt, but what’s ironic is that by refusing to see Schneider as an artist, the movie is guilty of some of the same sins as the director it tries to demonize.” – North Shore Movies, 05/05/2025