“Pauline sees through them, quietly taking it all in. Langlet’s performance teeters between girlishness and something more sophisticated. She watches the lovers construct silly little fictions for themselves, the necessary self-deceptions we use to get by in the grown-up world. The trip serves as Pauline’s initiation into the foolish, messy ways of adulthood.” – Crooked Marquee, 09/04/2026