“The Crow was one of the first American movies to incorporate the balletic, martial arts-inspired gunplay that was all the rage in Hong Kong cinema. This intricately choreographed, trigger-happy style has recently been revived in the John Wick films — whose director, Chad Stahelski, just so happened to work as Brandon Lee’s stunt double on The Crow.” – Metro, 02/17/2017

“Seeing Casablanca with a big crowd is a reminder of just how *funny* the movie is, stuffed with sardonic one-liners and some of the best put-downs in cinema history. Sure, Ingrid Bergman is stunning, but we’ve always thought Bogie has even better chemistry with Claude Rains’ cheerfully corrupt prefect of police. Theirs is indeed a beautiful friendship.” – Metro, 02/10/2017

“Postcards makes room for scene-stealing supporting turns by a randy Dennis Quaid and Gene Hackman as the voice of Fisher’s hard-won wisdom. Hackman’s stirring, late-movie monologue sums up a career in Tinseltown’s trenches and gutters. It’s the moment when this sometimes-too-slick commercial entertainment gets refreshingly real.” – The Village Voice, 02/07/2017

“Ferrara’s movies have a way of being morally serious despite their sometimes silly genre trappings, and Ms. 45 provides a feast for feminist studies. The intensely Catholic filmmaker outfits her in a nun’s habit and garter belts for the final massacre, and it’s no coincidence that she’s betrayed by a female friend holding a phallic-looking knife at crotch level.” – Metro, 02/03/2017

“Brattle regulars won’t be surprised to find Clive Barker’s Lord of Illusions on the schedule. ‘A guilty pleasure of mine,’ admits creative director Ned Hinkle of the 1995 thriller starring Scott Bakula as a paranormal private eye. ‘It is kind of a silly movie but the magic in it is compelling and, since it’s a Clive Barker adaptation, the themes are surprisingly sinister.'” – Metro, 01/27/2017

“One of those movies that’s a lot of fun to watch without being particularly good, The Running Man is a chintzy-looking affair that gets by on stunt casting and a killer concept. Richard Dawson’s sly, self-mocking performance elevates the material, bringing the louche, creepy-uncle energy with which he leered at female contestants on Family Feud.” – Metro, 01/11/2017

“Ensuring I won’t get my shopping done until the last possible moment, this week The Brattle Theatre has three days of double features reeking of whiskey, cigarettes and mistletoe. If you prefer your holiday tidings laced with arias of profanity, inventive torture sequences and comically brutal gunfights, Santa’s got a lot of presents under the tree this year.” – WBUR’s The ARTery, 12/20/2016

“Honestly, I’m so worn down by the negativity and tension of this election season that I jumped at the chance to poke a little fun at the whole thing. I realized that, clearly, these comments were going to grab the cultural zeitgeist and, since I had some open days around the election, I had the ability to throw something together very quickly.” – WBUR’s The ARTery, 11/02/2016

“Given what we’ve learned about Nate Parker’s past and his treatment of women, what are we supposed to make of he and Celestin creating an entirely fictional scene in which Parker’s onscreen wife gets raped just so he can spend the rest of the movie nobly avenging her assault? C’mon, you don’t see Mel Gibson trying to play Oskar Schindler.” – WBUR’s The ARTery, 10/12/2016