My third dispatch from the 59th New York Film Festival includes capsule reviews of Jane Campion’s The Power Of The Dog, Gaspar Noé’s Vortex and Pedro Almodóvar’s Parallel Mothers.
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My second dispatch from the 59th New York Film Festival includes capsule reviews of Ryûsuke Hamaguchi’s Wheel Of Fortune And Fantasy, Wes Anderson’s The French Dispatch and Sean Baker’s Red Rocket.
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My first dispatch from the 59th New York Film Festival includes capsule reviews of Paul Verhoeven’s Benedetta, Julia Ducournau’s Titane and Ed Lachman’s Songs For Drella.
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A quick dispatch from the 2021 Tribeca Festival containing capsule reviews of Eddie Martin’s The Kids, Adam Leon’s Italian Studies and Nadia Szold’s Larry Flynt For President.
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Had a great time talking to Strawberry Mansion directors Albert Birney and Kentucker Audley in this virtual Q&A for the Independent Film Festival Boston. We discussed their movie’s nightmare scenario in which advertisers insert product placement into your dreams, the duo’s love of analog aesthetics and why sometimes it’s not such a bad thing to fall asleep during a movie. – IFFBoston, 05/14/2021
Honored I was asked to moderate this IFFBoston panel discussion about the state of local arthouse cinemas featuring friends Ian Judge from the Somerville Theatre, Ned Hinkle from the Brattle and Katherine Tallman from the Coolidge Corner Theatre. We discussed Covid-19 closures and coping methods, as well as what audiences can expect from the New Normal. – IFFBoston, 05/08/2021
“The festival kicks off with a powerful portrait of a political moment and one of the most rousing concert films you’ll ever see, featuring peak performances by Stevie Wonder, Sly and the Family Stone, The Staple Singers, Gladys Knight and the Pips, B.B. King and Nina Simone. I guess the next best thing to an opening night party is all of us dancing in our living rooms.” – WBUR’s The ARTery, 05/04/2021
My fifth and final dispatch from the 2021 Sundance Film Festival contains capsule reviews of Jane Schoenbrun‘s We’re All Going To The World’s Fair, Ana Katz’s The Dog Who Wouldn’t Be Quiet, Fran Kranz’s Mass and Mona Fastvold’s The World To Come.
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My fourth dispatch from the 2021 Sundance Film Festival contains capsule reviews of Amalia Ulman’s El Planeta, Robin Wright’s Land, Marion Hill’s Ma Belle, My Beauty and Sion Sono’s Prisoners Of The Ghostland.
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My third dispatch from the 2021 Sundance Film Festival contains capsule reviews of Marilyn Agrelo’s Street Gang: How We Got To Sesame Street, Dash Shaw’s Cryptozoo, Jerrod Carmichael’s On The Count Of Three and Rebecca Hall’s Passing.
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