My sixth and final dispatch from the 58th New York Film Festival includes capsule reviews of Steve McQueen’s Red, White And Blue, Dea Kulumbegashvili’s Beginning, Gianfranco Rosi’s Notturno, Azazel Jacobs’ French Exit and Spike Lee’s film of David Byrne’s American Utopia.

“For more than two decades the Boston Underground Film Festival fest has been screening the wildest, weirdest and most outré offerings for area audiences in a self-described ‘annual sensory bacchanalia from beyond the mainstream.’ Better late than never, this year’s celebration is finally happening with a little help from their friends.” – WBUR’s The ARTery, 10/07/2020

My fifth dispatch from the 58th New York Film Festival includes capsule reviews of Orson Welles, Filip Jan Rymsza and Bob Murawski’s Hopper/Welles, Chaitanya Tamhane’s The Disciple, Jia Zhangke’s Swimming Out Till The Sea Turns Blue, Philippe Garrel’s The Salt Of Tears and Wong Kar-Wai’s In The Mood For Love.

“RoxFilm has put together the most aggressive online event schedule I’ve seen since COVID-19 sent us all to our rooms. With daily lunchtime script readings featuring local actors and writers, filmmaker hangouts and even a virtual dance party, the 22nd annual Roxbury International Film Festival is determined to keep us together even if we must be apart.” – WBUR’s The ARTery, 09/29/2020

My fourth dispatch from the 58th New York Film Festival includes capsule reviews of Sofia Coppola’s On The Rocks, Steve McQueen’s Mangrove, Chloé Zhao’s Nomadland, Tsai Ming-liang’s Days and Mohammad Reza Aslani’s The Chess Game Of The Wind.

My third dispatch from the 58th New York Film Festival includes capsule reviews of Pedro Almodóvar’s The Human Voice, Matías Piñeiro’s Isabella, Philippe Lacôte’s Night Of The Kings, Béla Tarr’s Damnation and Jia Zhangke’s Xiao Wu.

My second dispatch from the 58th New York Film Festival includes capsule reviews of Sam Pollard’s MLK/FBI, Song Fang’s The Calming, Nicolás Pereda’s Fauna, John Gianvito’s Her Socialist Smile and Joyce Chopra’s Smooth Talk.

Continue reading →

My first dispatch from the 58th New York Film Festival includes capsule reviews of Steve McQueen’s Lovers Rock, Cristi Puiu’s Malmrkrog, Ephriam Askili’s The Inheritance, David Dufresne’s The Monopoly Of Violence and Ivan Dixon’s The Spook Who Sat By The Door.

“Since launching in 2003 the festival has presented more than 1,650 films that would take 75 straight days to watch. In lieu of such an undertaking, I’ve selected a few favorite titles from over the years, so that through streaming services we might be able to create our own little IFFBoston at home. At least we have the movies to hold us over for now.” – WBUR’s The ARTery, 04/22/2020