My fifth dispatch from the 58th New York Film Festival includes capsule reviews of Orson Welles, Filip Jan Rymsza and Bob Murawski’s Hopper/Welles, Chaitanya Tamhane’s The Disciple, Jia Zhangke’s Swimming Out Till The Sea Turns Blue, Philippe Garrel’s The Salt Of Tears and Wong Kar-Wai’s In The Mood For Love.
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“RoxFilm has put together the most aggressive online event schedule I’ve seen since COVID-19 sent us all to our rooms. With daily lunchtime script readings featuring local actors and writers, filmmaker hangouts and even a virtual dance party, the 22nd annual Roxbury International Film Festival is determined to keep us together even if we must be apart.” – WBUR’s The ARTery, 09/29/2020
My fourth dispatch from the 58th New York Film Festival includes capsule reviews of Sofia Coppola’s On The Rocks, Steve McQueen’s Mangrove, Chloé Zhao’s Nomadland, Tsai Ming-liang’s Days and Mohammad Reza Aslani’s The Chess Game Of The Wind.
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My third dispatch from the 58th New York Film Festival includes capsule reviews of Pedro Almodóvar’s The Human Voice, Matías Piñeiro’s Isabella, Philippe Lacôte’s Night Of The Kings, Béla Tarr’s Damnation and Jia Zhangke’s Xiao Wu.
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My second dispatch from the 58th New York Film Festival includes capsule reviews of Sam Pollard’s MLK/FBI, Song Fang’s The Calming, Nicolás Pereda’s Fauna, John Gianvito’s Her Socialist Smile and Joyce Chopra’s Smooth Talk.
My first dispatch from the 58th New York Film Festival includes capsule reviews of Steve McQueen’s Lovers Rock, Cristi Puiu’s Malmrkrog, Ephriam Askili’s The Inheritance, David Dufresne’s The Monopoly Of Violence and Ivan Dixon’s The Spook Who Sat By The Door.
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“Since launching in 2003 the festival has presented more than 1,650 films that would take 75 straight days to watch. In lieu of such an undertaking, I’ve selected a few favorite titles from over the years, so that through streaming services we might be able to create our own little IFFBoston at home. At least we have the movies to hold us over for now.” – WBUR’s The ARTery, 04/22/2020
Had a slightly tipsy 2AM Mountain time chat with host Blake Howard about some highlights from this year’s Sundance Film Festival, including Eliza Hittman’s extraordinary Never Rarely Sometimes Always, Josephine Decker’s Shirley, Kirsten Johnson’s Dick Johnson Is Dead and the regrettable fiasco of Dee Rees’ The Last Thing He Wanted. – The Take Podcast 01/31/2020
“They’ve saved the best for last, closing with Céline Sciamma’s Portrait Of A Lady On Fire. It’s a swooningly romantic, thrillingly sexy movie with a lot on its mind about what it takes to really look at someone, and what it means to be truly seen. I can’t think of a better way to wrap up a weekend of movies than with one so adroit about the act of watching.” – WBUR’s The ARTery, 10/28/2019
“This year’s roster is a characteristically eclectic mix, offering something for everyone to experience in a dark room with strangers who are just friends you haven’t met yet. IFFBoston thrives on this sense of community and camaraderie. We’re awfully lucky to have an event where people can put away their electronic devices and experience art with one another.” – WBUR’s The ARTery, 04/22/2019
SPLICED PERSONALITY 