“On paper this all sounds perfect, yet almost nothing in the picture works. I found myself leaning forward in my seat, wondering why I wasn’t enjoying it more. The past fifteen years of trashy action films have clearly taken their toll on Neeson. One should never come away from a femme fatale seduction scene thinking the detective needs a nap.” – WBUR’s Arts & Culture, 02/14/2023

“Soderbergh is back in the director’s chair, using Mike as a prism for another crisis or two. Very much a post-pandemic and post-#MeToo movie, on the surface it’s an old-fashioned musical. But look closer and you’ll see a more serious film about artists in transition, trying to figure out paths forward in the new normals when the old ways aren’t working anymore.” – North Shore Movies, 02/10/2023

“She doesn’t over-accentuate anything for the camera, and you’ll never catch her actors acting. Events both life-changing and banal unfold within the same, steady rhythms of ordinary, everyday existence. Such understatement can make Hansen-Løve’s films feel a little anticlimactic while you’re watching them, but they linger in the memory longer than most.” – WBUR’s Arts & Culture, 02/09/2023

“Like an even more explicitly religious revision of Signs with a former wrestler instead of alien invaders. Behind the camera, Shyamalan is precise, inventive and keeps a lot of the action offscreen to make your mind do the dirty work. He also still can’t write, which is a problem when you’re trying to parse as many big ideas as this picture keeps throwing around.” – North Shore Movies, 02/03/2023

“There’s no way to look at the groundbreaking career achievements of Lily Tomlin, Jane Fonda, Rita Moreno or Sally Field and feel good about watching this slapdash sponsored content, a shrine to an increasingly weird Florida Man producing his own unseemly vanity project. Is this the best Hollywood can offer these women who have given the movies so much?” – North Shore Movies, 02/02/2023

“The film’s escalating escapades of sicko violence are punctuated by psychedelic drug freakouts and semi-pornographic dream orgies. It’s an awful lot, yet somehow still not quite enough. Thank goodness then, for our newly crowned scream queen Mia Goth, following up last year’s seismic performance in Pearl as an entirely different kind of chaos agent.” – North Shore Movies, 01/26/2023

“Looks and sounds so much like the kind of film you want it to be that if you’re willing to squint, you can let it slide. Maybe I Do may be little more than Nancy Meyers karaoke, but at least someone’s still trying to sing these songs. One hopes that if the nostalgia for this sort of picture continues, we might finally get one that’s actually good instead of just good enough.” – North Shore Movies, 01/26/2023

“Kendrick plays the role more mysteriously and closer to the vest than you might expect. She focuses everything inward, coming in quietly underneath scenes where other actresses would have cranked up the histrionics for awards consideration. Unfortunately, she’s so good she makes the so-so performances of her co-stars seem worse than they actually are.” – North Shore Movies, 01/20/2023

“Again chronicling the romantic mishaps of a young woman pretending to be more worldly than she really is, writer-director Hadas Ben Aroya loves shooting long, erotic scenes that play out practically in real time, demystifying the messy mechanics of desire while revealing character through intimacy. Everything is no big deal, even stuff that probably should be.” – North Shore Movies, 01/20/2023

“You don’t watch Skinamarink so much as you sink into it, allowing yourself to be enveloped by the unsettling atmosphere. Ball keeps the camera close to the ground and peering into the shadows, attempting to make out shapes that never quite materialize. The whole movie feels like the lights just went out and your eyes haven’t quite adjusted yet.” – WBUR’s Arts & Culture, 01/12/2023