THE DEATH OF LOUIS XIV

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“It’s an almost agonizingly quiet movie, but all that quiet is full of contemplation. The Death Of Louis XIV allows viewers room to bring their own baggage, time and space to meditate on how mortality one day comes for us all. If you can get on this film’s admittedly peculiar wavelength it attains a hypnotic quality, eliciting genuine sorrow.” – WBUR’s The ARTery, 05/18/2017

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DAVID LYNCH: THE ART LIFE

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“What David Lynch is not going to do is gum up the works with too much self-analysis, and he remains constitutionally opposed to interpreting his work for us. The documentary is the portrait of a content man, constantly at work on one project or another, interested mainly these days in artistic expression as its own reward.” – Boston Reel, 05/14/2017

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SMALL CRIMES

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“A solid, well-crafted little genre picture, which I assure you in this day and age is nothing to sneeze at. It’s the perfect kind of movie to premiere on Netflix, not quite distinguished enough to warrant a trip to the multiplex but ideal couch company on a rainy afternoon. Such modest virtues should not be underestimated.” – WBUR’s The ARTery, 05/01/2017

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THE CIRCLE

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“There’s nothing in Ponsoldt’s stylistic arsenal to suit the surreal requirements of Eggers’ story, which is sort of a panicky, luddite Invasion Of The Facebook Friend Snatchers. The plotting takes bizarre detours almost into the realm of science-fiction, and yet it’s all shot with the ploddingly earnest, granola aesthetic of a Sundance also-ran about a family farm.” – North Shore Movies, 04/29/2017

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FREE FIRE

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FREE FIRE  * 1 / 2

Starring Brie Larson, Armie Hammer, Sharlto Copley, Cillian Murphy and Jack Reynor. Screenplay by Amy Jump and Ben Wheatley. Directed by Ben Wheatley.

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THE FATE OF THE FURIOUS

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“You’re always aware this is a mercenary product that has no real reason for being except to make more money and more Furious movies, collecting characters and co-stars like a lint-roller while putting them into increasingly absurd and strangely weightless vehicular cataclysms. It’s got the lugubrious, nothing-matters quality of eighties Bond films.” – North Shore Movies, 04/15/2017

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