
CERTAIN WOMEN * * * *
Starring Laura Dern, Michelle Williams, Kristen Stewart, Lily Gladstone and Rene Auberjonois. Written for the screen and directed by Kelly Reichardt.

CERTAIN WOMEN * * * *
Starring Laura Dern, Michelle Williams, Kristen Stewart, Lily Gladstone and Rene Auberjonois. Written for the screen and directed by Kelly Reichardt.

JACK REACHER: NEVER GO BACK * *
Starring Tom Cruise, Cobie Smulders, Danika Yarosh, Holt McCallany and Patrick Heusinger. Screenplay by Richard Wenk, Marshall Herskovitz and Edward Zwick. Directed by Edward Zwick.

AMERICAN HONEY * * 1 / 2
Starring Sasha Lane, Shia LaBeouf, Riley Keough, Arielle Holmes and Will Patton. Written and directed by Andrea Arnold.

DEEPWATER HORIZON * *
Starring Mark Wahlberg, Kurt Russell, Kate Hudson, Gina Rodriguez and John Malkovich. Screenplay by Matthew Michael Carnahan and Matthew Sand. Directed by Peter Berg.

THE MAGNIFICENT SEVEN * 1 / 2
Starring Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard and Vincent D’Onofrio. Screenplay by Nic Pizzolatto and Richard Wenk. Directed by Antoine Fuqua.

SNOWDEN * * *
Starring Joseph Gordon-Levitt, Shailene Woodley, Rhys Ifans, Scott Eastwood and Nicolas Cage. Screenplay by Kieran Fitzgerald and Oliver Stone. Directed by Oliver Stone.

SULLY * * * 1 / 2
Starring Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn and Michael Rapaport. Screenplay by Todd Komarnicki. Directed by Clint Eastwood.

“Eventually Depp and the Colleens wind up fighting an army of white supremacist, foot-long sausages dressed as Mounties and played by the director himself. These Brat-zis, as they’re called, kill people by climbing into their rectums. But Yoga Hosers makes it abundantly clear that the only rear end Kevin Smith has crawled up inside is his own.” – Metro, 08/30/2016

“Less common to discover in a first feature is a story that’s been thought out in terms of images instead of just words. Natalie Portman’s directorial debut is not always a successful movie but it’s a movie through and through. She makes bold visual choices and sticks to a personal, if at times trying, aesthetic strategy. She’s a real filmmaker.” – WBUR’s The ARTery, 08/26/2016

“The production is hyper-sexualized in an incredibly creepy way, with leering butt-shots of countless cartoon hookers and lingering, appreciative views of Barbara in her underwear. These adolescent power fantasies have grown toxic, and their treatment of women reveals a pathological, deep-seated fear and loathing on the part of fans and creators.” – North Shore Movies, 08/19/2016