MY VOTE FOR BEST DIRECTOR

Bigelow

“You won’t find a finer example of pure, nuts-and-bolts cinematic skill this year than The Hurt Locker. A collection of almost unbearably intense set-pieces shot on shaky 16mm cameras, the movie elicits gasps not through groundbreaking special effects or cutting edge 3-D technology, but with simple, old-fashioned juxtapositions of image and sound.” – The Muriel Awards, 02/27/2010

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