“The movie’s best joke is that there’s not much idealism left here to be corrupted, with everyone seeming to agree that the paper’s glory days are long in the rearview. This deceptively breezy film is really a sneaky generational portrait of young radicals running out of steam in their thirties. It has a wistful, end-of-an-era vibe that time has only sweetened.” – WBUR’s The ARTery, 05/15/2019