“An oddball, archly comic examination of the 2016 Panama Papers scandal, this is in many ways a typical Soderbergh picture, in that it’s a sardonically amusing tale of economic malfeasance fixated on process and procedure. But it’s also weirdly half-baked and under-realized, the most slapdash of the director’s efforts since his 2002 Full Frontal.” – WBUR’s The ARTery, 10/10/2019

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