“A film about mourning, but in an especially British, stiff upper lip fashion. As in the original movie, which dealt with the ravages of addiction in an almost oblique, muted mode, the roiling emotions are kept close to the vest. Hogg again employs an eggshell color palette and elliptical edits. The surfaces are placid, beneath them lies turmoil.” – North Shore Movies, 11/04/2021

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