The Humans is hobbled at every turn by Karam’s curious camerawork. Not just the random inserts of cruddy windowpanes and clanging pipes, but also ostentatious dolly shots that circle the table, making sure to obscure the faces of whoever you want to look at most during a given scene. It’s the most distractingly directed movie of the year not named Belfast.” – North Shore Movies, 11/23/2021

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