“In obnoxiously flashy films like Atonement and Anna Karenina, it often seemed like there was never a movie moment Joe Wright couldn’t gaudily over-direct, yet somehow his first full-bore Hollywood musical features some of his most restrained work, keeping a close-up intimacy with the characters as occasional ballets break out in the background.” – WBUR’s The ARTery, 02/23/2022

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