ANOMALIES AGAINST THE GRID: MICHAEL MANN’S PUBLIC ENEMIES AND BLACKHAT

“Paying little lip service to genre conventions, Mann’s electrifying, experimental cyber-thriller is an almost abstract symphony of sound and color smeared across the screen in crackling, corrupted digital cinematography meant to mirror the twitchy surveillance state in which its stealthy characters operate. Blackhat is like a Stan Brakhage movie with gunfights.” – Crooked Marquee, 03/01/2022

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