“There’s no frame around the proceedings, nor any character introductions for the sake of the audience. We’re thrown into the action via a herky-jerky, 16mm handheld camera bobbing and weaving like a prizefighter around the performers in black-and-white, following their rapid mood swings from back-slapping bonhomie to chillingly sudden spurts of hostility.” – Crooked Marquee, 07/01/2022