AFTER HOURS: MICHELANGELO ANTONIONI’S LA NOTTE

“Antonioni likes to keep his actors turned away from us. He denies the emotional access most filmmakers labor to provide, forcing us to instead find meaning in the blocking and bodily juxtapositions. So much screen time is spent studying Vitti and Moreau’s bare backs, if there’s such thing as a shoulder blade fetish community they’ll give this film five stars.” – Crooked Marquee, 09/02/2022

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