“It’s through these sad eyes that we see the movie, glimpsed in half-understood fragments of an adult world Cáit can’t quite comprehend yet. Bairéad keeps the camera low to the ground or banished to the backseat of the car, focusing on the kind of stray details that burn into a child’s memory. It’s a delicate film of small gestures and the slow building of trust.” – WBUR’s Arts & Culture, 02/28/2023

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