
CATFIGHT * * *
Starring Sandra Oh, Anne Heche, Alicia Silverstone, Craig Bierko and Dylan Baker. Written and directed by Onur Tukel.

CATFIGHT * * *
Starring Sandra Oh, Anne Heche, Alicia Silverstone, Craig Bierko and Dylan Baker. Written and directed by Onur Tukel.

LOGAN * *
Starring Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook and Stephen Merchant. Screenplay by Scott Frank, James Mangold and Michael Green. Directed by James Mangold.

GET OUT * * * 1 / 2
Starring Daniel Kaluuya, Allison Williams, Lil Rel Howery, Bradley Whitford and Catherine Keener. Written and directed by Jordan Peele.

THE GREAT WALL * * *
Starring Matt Damon, Tian Jing, Pedro Pascal, Andy Lau and Willem Dafoe. Screenplay by Carlo Bernard, Doug Miro and Tony Gilroy. Directed by Zhang Yimou.

“The scenes themselves luxuriantly stretch out before you. Director Maren Ade favors unobtrusive camerawork and doesn’t punch up the jokes with excessive cutting or music cues, leaving the audience to find our own bearings in awkward social situations whenever the odd man with the funny hair and fake teeth wanders into frame.” – WBUR’s The ARTery, 02/16/2017

FIFTY SHADES DARKER * 1 / 2
Starring Dakota Johnson, Jamie Dornan, Eric Johnson, Marcia Gay Harden and Kim Basinger. Screenplay by Niall Leonard. Directed by James Foley.

JOHN WICK: CHAPTER 2 * * * 1 / 2
Starring Keanu Reeves, Ian McShane, Common, Lance Reddick and Laurence Fishburne. Screenplay by Derek Kolstad. Directed by Chad Stahelski.

THE COMEDIAN * * 1 / 2
Starring Robert De Niro, Leslie Mann, Edie Falco, Danny DeVito and Harvey Keitel. Screenplay by Art Linson, Jeff Ross, Richard LaGravenese and Lewis Friedman. Directed by Taylor Hackford.

“Combining traditional documentary tropes with experimental animation techniques, director Keith Maitland’s Tower is like nothing you’ve seen before. An oral history as a visual poem, the movie expands and collapses time to place the viewer alongside the victims of sniper Charles Whitman’s UT Tower massacre on that hot August morning in 1966.” – Metro, 01/19/2017

“Ever since his 1984 breakthrough Stranger Than Paradise, Jim Jarmusch has been finding transcendence in stasis and Paterson is nothing if not a movie about the wonders of routine. It’s broken down over a week so the days themselves become like stanzas in a poem, with repeated shots and locations becoming his visual rhyme-scheme.” – WBUR’s The ARTery, 01/18/2017