“There are some moments of startling terror. The best jolts have an otherworldly, minimalist kick; a strand of hair suspended in a pane of glass, or again, those damn crows. But the greatest horror lies in the movie’s subtext: the internal prison of believing that your desires are destructive. It’s a movie about not being able to be who you are.” – WBUR’s The ARTery, 01/17/2018

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